Juan Carlos Rodríguez
In Memoriam, Associate Professor of Spanish
Overview
Juan Carlos Rodríguez (Ph.D., Program in Literature, Duke University, 2007) was Associate Professor of Spanish at Georgia Tech, co-director of the Atlanta Global Studies Center, and co-editor of the essay collections New Documentaries in Latin America (Palgrave, 2014) and Digital Humanities in Latin America (University Press of Florida, 2020). He also co-edited the book series Reframing Media, Technology, and Culture in Latin/o America for the University Press of Florida. His research focused on Latin American documentaries from perspectives informed by sustainability, critical theory, urban and environmental studies, and digital humanities. As an educator and scholar, Rodríguez built a strong record of community engagement. He was the founding director of Georgia Tech’s Global Media Festival: Sustainability Across Languages and Cultures. His public digital humanities project Vieques Struggle: A Digital Video Archive was a collection of video interviews telling the story of demilitarization on the island of Vieques in Puerto Rico. Using materials from the Vieques Struggle project, he completed his first feature-length documentary, Vieques: A Living Archive, which covered the history of Vieques before and after the departure of the U.S. Navy from the island in 2003.
Professor Rodríguez was a Latin American film scholar whose research focused on the representation of Latin American cities in documentary. He studied how Latin American documentaries represented contemporary urban issues such as housing problems, transportation dynamics, water resources, economic development, and social movements. For Rodríguez, documentary was an audiovisual discourse that opened the possibility to examine urban imaginaries, which in turn revealed the ways city dwellers perceived, experienced, and transformed their cities. Many documentaries offered ways of imagining the city that either overlapped with or challenged some of the “mental mappings” and “interpretive grids” developed by dwellers, visitors, and tourists when exploring different urban realities. Viewers could infer and reconstruct an imaginary map of the city each time a documentary gave shape to the navigation of the physical city and to the routes, itineraries, and actions of city dwellers. In his publications, Rodríguez explored documentaries as moving maps and embodied cartographies of contemporary urban issues.
His articles appeared in The Journal of Latin American Cultural Studies, Latin American Perspectives, Revista Iberoamericana, Revista Pensamiento de los Confines, Debats, Journal of Sport History, and La Habana Elegante. He published chapters in various books, including Miradas al margen: Cine y subalternidad en América Latina y el Caribe, ed. Luis Duno-Gottberg (Caracas: Fundación Cinemateca Nacional, 2009); Poéticas de José María Lima: Tradición y sorpresa, ed. Áurea María Sotomayor (Pittsburgh: Instituto Internacional de Literatura Latinoamericana, 2012); Redes hipertextuales en el aula: Claves y conceptos, ed. José Manuel de Amo, Osvaldo Cleger, and Antonio Mendoza (Barcelona: Editorial Octaedro, 2015); and Sports and Nationalism in Latin America, ed. Héctor Fernández L’Hoeste, Robert Irwin, and Juan Poblete (Palgrave). He taught courses on Latin American cities, Spanish Service Learning, Globalization in Latin America, Latin American documentaries, Science Fiction from Latin America, and Latin American music. At the School of Modern Languages, Dr. Rodríguez participated in the organization of various events, including the symposium on Latin American Media Studies in the Age of Digital Humanities.
- Ph.D. in Literature, Duke University
- MA. Cinema Studies, CUNY
- BA. Public Communication, University of Puerto Rico, Rio Piedras
Interests
• Caribbean Studies
• Digital Media
• Digital Humanities
• Latin American Media Studies
• Media, Technology, and Culture
• Service Learning and Community Engagement
• Sports and Culture
• Sustainability
• Caribbean Studies
• Digital Media
• Digital Humanities
• Latin American Media Studies
• Media, Technology, and Culture
• Service Learning and Community Engagement
• Sports and Culture
• Sustainability
- Communication
- Digital Humanities
- Digital Media
- Economic Development and Smart Cities
- Literary and Cultural Studies
- Media Studies
- Science and Technology Studies
- Spanish
Focuses:
- Latin America and Caribbean
- Race/Ethnicity
- Communication
- Cross-Cultural Understanding
- Digital and Mixed Media
- Digital Communication
- Digital Humanities
- Globalization and Localization
- History and Memory
- Language and Popular Culture
- Languages in Contact
- Media
- Mediatized Culture
- Migration
- Poetry
- Problem-Based Learning
- Sports
- Sustainability
Courses
- GMC-6001: Global Media & Cultures
- ML-2500: Intro Cross-Cult Studies
- ML-6501: Theory & Foundations Sem
- SPAN-1001: Elementary Spanish I
- SPAN-1002: Elementary Spanish II
- SPAN-2002: Intermediate Spanish II
- SPAN-3070: Latin American Music
- SPAN-3102: Conversation II
- SPAN-3111: Composition I
- SPAN-3200: Global Latin America
- SPAN-3500: Sci-Fi In Latin America
- SPAN-3690: Commerce Sustain Commun
- SPAN-3691: Bus Comm& Correspondence
- SPAN-3692: Business And Culture
- SPAN-3823: Special Topics
- SPAN-3833: Special Topics
- SPAN-4150: Spanish Service Learning
- SPAN-4350: Iberoamerican Cities
- SPAN-4405: Latin American Documentaries
- SPAN-4454: Latin America through Film
- SPAN-4500: Intercultural Seminar
- SPAN-4699: Undergraduate Research
- SPAN-6405: Latin American Documentaries
- SPAN-6454: Latin America Thru Film
- SPAN-6500: Intercultural Seminar
- SPAN-6501: Theory & Foundations Sem
- SPAN-8803: Service Learning
Publications
Selected Publications
Book - Editors
- Digital Humanities in Latin America
In: 2020 [Peer Reviewed]
Date: 2020
- New Documentaries in Latin America
In: 2014 [Peer Reviewed]
Date: 2014
Examining the vast breadth and diversity of contemporary documentary production, while also situating nonfiction film and video within the cultural, political, and socio-economic history of the region, this book addresses topics such as documentary aesthetics, indigenous media, and transnational filmmaking, among others.
Journal Articles
- "Hacia una micologia del filme: La Habana en un documental biodeteriorado o de la imagen incurable de la ciudad cinemática," Revista Iberoamericana. Vol LXXXVIII, Num. 277, (Oct-Nov, 2021): 1111-1136.
Date: 2021
- “Vigilancia colonial en Puerto Rico: Filiberto o el documental judicial como representación de la ley,” Cine Documental, no. 20 (2019) online, npags.
Date: 2019
- “Toward a Film Mycology: Biodeterriorated Images of Havana as Incurable Images of the Cinematic City,” Public, vol. 29, no. 57 (2018): 171-182.
Date: 2018
- “Cinematic Ruinologies: Alamar and the Cuban Soviet Urban Imaginary in Contemporary Cuban Documentaries,” La Habana Elegante, no. 57 (November 2015).
Date: November 2015
- “Playing for the Nation, Fighting for the Revolution, Performing for the Camera: Documentaries on Cuban Sports,” Journal of Sport History (September 2014) 225-231.*
Date: 2014
- “Framing Ruins: Patricio Guzmán’s Postdictatorial Documentaries,” Latin American Perspectives, Special Issue: Political Documentary Film and Video in the Southern Cone (1950s-2000s), ed. Antonio Traverso and Tomás Crowder-Taraborrelli 40:1 (Jan 2013)
Date: 2013
The representations of ruins in three of Patricio Guzmán’s postdictatorial documentaries—Chile, la memoria obstinata (1997), La isla de Robinson Crusoe (1999), and El caso Pinochet (2001)—can be seen as allegories of different aspects of Chilean history: the defeat of Allende’s democratic alliance, the end of the Pinochet regime, and the challenges of social reconciliation in contemporary Chile. Guzmán’s strategy of screening architectonic ruins evokes the ruin of the socialist and dictatorial regimes in Chile. The filmmaker also presents a second image of ruin that evokes the ruin of the screen and, in this way, confronts viewers with the limits of representation, language, reconciliation, and testimony.
Las representaciones de ruinas en tres de los documentales de la posdictadura de Patricio Guzmán—Chile, la memoria obstinada (1997), La isla de Robinson Crusoe(1999), y Le cas Pinochet (2001)—pueden verse como alegóricas de aspectos distintos de la historia de Chile: la derrota de la Alianza Democrática de Allende, el fin del régimen de Pinochet, y los retos de la reconciliación social en el Chile contemporáneo. La estrategia de Guzmán de proyectar ruinas arquitectónicas evoca la ruina de los regimenes socialistas y dictatoriales en Chile. También se presenta otro imagen de ruina que evoca la ruina de la pantalla, de modo de que se elaboran los limites de la representación, la lengua, la reconciliación, y el testimonio.
- “The Figure of the Enemy in Elizam Escobar’s La ficción,” The Journal of Latin American Cultural Studies 20:1 (2011) 49-61.*
Date: 2011
- “Del “trauma de la literatura” al “relato del trauma”: (con)figuraciones de la vergüenza en los relatos sobre la presencia militar norteamericana en Puerto Rico,” Revista Iberoamericana, Dossier: Puerto Rico en el Caribe y el Caribe en Puerto Rico.
Date: 2009
- “Immanence and (its) Interruption,” Polygraph: an International Journal of Culture and Politics issue # 15 on “Immanence, Transcendence, Utopia,” (Spring 2004) 169-191.
Date: 2004
Creative Artifacts
- Vieques: A Living Archive (2025) Documentary (9 official selections in international film festivals and more than 10 screenings in university campuses in the United States).
Date: 2025
- Un aprendizaje para vivir. Short Documentary Film (8 minutes); Language: Spanish. Year of Production: 2024. This short film is the product of a partnership between the Soccer in the Streets program and the Class Spanish 4350: Ibero American Cities.
Date: 2024
- Vieques: archivo vivo. Website: it offers information in Spanish and English about the feature documentary film Vieques: archivo vivo.
Date: 2024
- La noche es un país, Photo Essay printed in paper (9 pages) Volantes, 2023.
Date: 2023
- Student Projects from the Vieques Struggle: A Digital Video Archive. Website: 20 student projects exploring the history of the Vieques Struggle as a land conflict and focusing on topics such as health issues and pollution.
Date: 2021
- Vieques Struggle: A Digital Video Archive. Website: a collection of 193 digital videos containing interviews with corresponding transcriptions of the interviews in Spanish, plus tags identifying the topics of the interviews. DILAC Lab. (2017-)
Date: 2021
Chapters
- “Cine, medioambiente y sociedad: Muerte por mil cortes (2016) en el context de los documentales dominicanos,” in La gran pantalla dominicana vol. 2: La ebullición creative en el cine nacional (2010-2022), eds Adriana Tolentino and Patricia Tomé, Almenara.
Date: 2024
- “Exploring Digital Archives: Vieques on the Internet and Yabureibo in the Global South,” in The Routledge Companion to Literature and the Global South, ed. Alfred López and Ricardo Quintana, London: Routledge, 2023, pp. 260-274.
Date: 2023
- “An archipelago of crossed gazes: Intersections of documentary media practices in Cuba and Puerto Rico“ in The Film Archipelago: Islands in Latin American Cinema, ed. by Antonio Gómez and Francisco J. Hernandez Adrián, London and New York: Bloomsbury.
Date: 2022
- “Cuban Digital Pedagogies and the Question of the Interface in Yaima Pardo’s Offline,” Digital Humanities in Latin America, ed. Héctor Fernández L’Hoeste and Juan Carlos Rodríguez (University Press of Florida, 2020) 157-176.
Date: 2020
- “Introduction: In and Out of Digital Humanities; Nations, Networks and Practices in Latinx America,” Digital Humanities in Latin America, ed. Héctor Fernández L’Hoeste and Juan Carlos Rodríguez (University Press of Florida, 2020) 1-20.
Date: 2020
- "De la ciudad como rutina a la ciudad como proceso productivo: La Habana de los años sesenta en los documentales de Nicolás Guillén Landrián," in Guillén Landrián o el desconcierto fílmico, ed. Julio Ramos and Dylon Robbins (Leiden: Almenara, 2019).
Date: 2019
- “La cultura digital y la convergencia de múltiples lenguajes” in Redes hipertextuales en el aula: Claves y conceptos, ed. José Manuel de Amo, Osvaldo Cleger and Antonio Mendoza (Barcelona: Editorial Octaedro, 2015). 53-66
Date: 2015
- “La cultura digital, o de los nuevos medios de comunicación (new media)” in Redes hipertextuales en el aula: Claves y conceptos, ed. José Manuel de Amo, Osvaldo Cleger and Antonio Mendoza (Barcelona: Editorial Octaedro, 2015). 67-82
Date: 2015
- “The Nation in the Strike Zone and Reality at Bat: Bodies, Voices and Spaces of Cuban Baseball in Sport Documentaries” in Sports and Nationalism in Latin America, ed. Héctor Fernández L"Hoeste, Robert Irwin, and Juan Poblete (Palgrave Macmillan, 2015)
Date: 2015
- “Documentary on Wheels: Car Culture in Karen Rossi’s Isla Chatarra” in New Documentaries in Latin America, ed. Vinicius Navarro and Juan Carlos Rodríguez, Global Cinema Series (Palgrave MacMillan: published in May 2014) 219-234.*
Date: 2014
- “Introduction” in New Documentaries in Latin America, ed. Vinicius Navarro and Juan Carlos Rodríguez, Global Cinema Series (Palgrave MacMillan: published in May 2014) 1-21.*
Date: 2014
- “Dédalo en fuga: duelos, devenires, Políticas y legados de la forma en las ‘Caracolas’ de José María Lima” in Poéticas de José María Lima: Tradición y sorpresa, ed. Aurea María Sotomayor (Pittsburgh: Instituto Internacional de Literatura Latinoamericana)
Date: 2012
- “Mutaciones del ciudadano insano: construcción biopolítica del miedo en los procesos de comunicación urbana” in Miradas al margen: Cine y subalternidad en América Latina y el Caribe, ed. Luis Duno-Gottberg (Caracas: Fundación Cinemateca Nacional, 2009)
Date: 2009
Other Publications
- Reframing Media, Technology, and Culture in Latin/o America. Co-Editor of the Book Series, 18 Books Published.
All Publications
Book - Editors
- Digital Humanities in Latin America
In: 2020 [Peer Reviewed]
Date: 2020
- New Documentaries in Latin America
In: 2014 [Peer Reviewed]
Date: 2014
Examining the vast breadth and diversity of contemporary documentary production, while also situating nonfiction film and video within the cultural, political, and socio-economic history of the region, this book addresses topics such as documentary aesthetics, indigenous media, and transnational filmmaking, among others.
Journal Articles
- “‘Está escapao’: fugas y retornos del cine cubano contemporáneo,” Fantasma Material (1): 70-75 (Editors Dean Luis Reyes and José Luis Aparicio invited a group of experts and Cuban filmmakers to discuss the situation of contemporary Cuban cinema).
Date: 2024
- “A la luz de El Boricua: Sarduy, el radar de Arecibo y la fugacidad de la escucha” Creative writing and photo essay, Candela Review 2023.
Date: 2023
- "Hacia una micologia del filme: La Habana en un documental biodeteriorado o de la imagen incurable de la ciudad cinemática," Revista Iberoamericana. Vol LXXXVIII, Num. 277, (Oct-Nov, 2021): 1111-1136.
Date: 2021
- “Ruinas introspectivas: pérdida y deterioro en los trabajos de Eliecer Jiménez Almeida,” Revista Yzur vol 2, num. 1 (Abril, 2019), 79-83.
Date: 2019
- “Vigilancia colonial en Puerto Rico: Filiberto o el documental judicial como representación de la ley,” Cine Documental, no. 20 (2019) online, npags.
Date: 2019
- "Testimonio y simulacro: La poesía de Aurea María Sotomayor," Aerea: Revista Hispanoamericana de Poesía, Num. 12 (2018) 327-331.
Date: 2018
- “Toward a Film Mycology: Biodeterriorated Images of Havana as Incurable Images of the Cinematic City,” Public, vol. 29, no. 57 (2018): 171-182.
Date: 2018
- “Cinematic Ruinologies: Alamar and the Cuban Soviet Urban Imaginary in Contemporary Cuban Documentaries,” La Habana Elegante, no. 57 (November 2015).
Date: November 2015
- “Playing for the Nation, Fighting for the Revolution, Performing for the Camera: Documentaries on Cuban Sports,” Journal of Sport History (September 2014) 225-231.*
Date: 2014
- “Framing Ruins: Patricio Guzmán’s Postdictatorial Documentaries,” Latin American Perspectives, Special Issue: Political Documentary Film and Video in the Southern Cone (1950s-2000s), ed. Antonio Traverso and Tomás Crowder-Taraborrelli 40:1 (Jan 2013)
Date: 2013
The representations of ruins in three of Patricio Guzmán’s postdictatorial documentaries—Chile, la memoria obstinata (1997), La isla de Robinson Crusoe (1999), and El caso Pinochet (2001)—can be seen as allegories of different aspects of Chilean history: the defeat of Allende’s democratic alliance, the end of the Pinochet regime, and the challenges of social reconciliation in contemporary Chile. Guzmán’s strategy of screening architectonic ruins evokes the ruin of the socialist and dictatorial regimes in Chile. The filmmaker also presents a second image of ruin that evokes the ruin of the screen and, in this way, confronts viewers with the limits of representation, language, reconciliation, and testimony.
Las representaciones de ruinas en tres de los documentales de la posdictadura de Patricio Guzmán—Chile, la memoria obstinada (1997), La isla de Robinson Crusoe(1999), y Le cas Pinochet (2001)—pueden verse como alegóricas de aspectos distintos de la historia de Chile: la derrota de la Alianza Democrática de Allende, el fin del régimen de Pinochet, y los retos de la reconciliación social en el Chile contemporáneo. La estrategia de Guzmán de proyectar ruinas arquitectónicas evoca la ruina de los regimenes socialistas y dictatoriales en Chile. También se presenta otro imagen de ruina que evoca la ruina de la pantalla, de modo de que se elaboran los limites de la representación, la lengua, la reconciliación, y el testimonio.
- “The Figure of the Enemy in Elizam Escobar’s La ficción,” The Journal of Latin American Cultural Studies 20:1 (2011) 49-61.*
Date: 2011
- “Habrá que acercarse con una calma hostil: figuras del enemigo en las obras de Elizam Escobar,” Pensamiento de los Confines, no. 26, Argentina (Winter-Spring 2010) 133-146.
Date: 2010
- “‘Que en vez de infierno encuentres gloria’: reflexiones sobre el funeral de Carlos Monsiváis y diálogo con su obra,” La Habana Elegante, no. 48 (Fall-Winter 2010) (n.pag, online).
Date: 2010
- “Del “trauma de la literatura” al “relato del trauma”: (con)figuraciones de la vergüenza en los relatos sobre la presencia militar norteamericana en Puerto Rico,” Revista Iberoamericana, Dossier: Puerto Rico en el Caribe y el Caribe en Puerto Rico.
Date: 2009
- “Immanence and (its) Interruption,” Polygraph: an International Journal of Culture and Politics issue # 15 on “Immanence, Transcendence, Utopia,” (Spring 2004) 169-191.
Date: 2004
- “Las manchas (del suelo / de la ciudad): una mirada a la gráfica urbana en San Juan,” Revista Debats, no. 88, España (Spring 2005) 54-62.
Date: 2004
Creative Artifacts
- Vieques: A Living Archive (2025) Documentary (9 official selections in international film festivals and more than 10 screenings in university campuses in the United States).
Date: 2025
- Un aprendizaje para vivir. Short Documentary Film (8 minutes); Language: Spanish. Year of Production: 2024. This short film is the product of a partnership between the Soccer in the Streets program and the Class Spanish 4350: Ibero American Cities.
Date: 2024
- Vieques: archivo vivo. Website: it offers information in Spanish and English about the feature documentary film Vieques: archivo vivo.
Date: 2024
- La noche es un país, Photo Essay printed in paper (9 pages) Volantes, 2023.
Date: 2023
- Student Projects from the Vieques Struggle: A Digital Video Archive. Website: 20 student projects exploring the history of the Vieques Struggle as a land conflict and focusing on topics such as health issues and pollution.
Date: 2021
- Vieques Struggle: A Digital Video Archive. Website: a collection of 193 digital videos containing interviews with corresponding transcriptions of the interviews in Spanish, plus tags identifying the topics of the interviews. DILAC Lab. (2017-)
Date: 2021
- Campo minado, Poetry Book (Honorable Mention, Premio Nacional de Poesía del Instituto de Cultura Puertorriqueña, 2015)
Date: 2018
- Isla Escrita: Antología de la poesía de Cuba, Puerto Rico y República Dominicana. Ed. Nestor E. Rodríguez. Madrid, España: Amargord, 2018. (Eleven poems)
Date: 2018
- Red de voces. Antología de poesía puertorriqueña contemporánea. Ed. Aurea María Sotomayor. La Habana, Cuba: Casa de las Américas, 2012. (Eleven poems)
Date: 2012
- Rehén de otro reino, Poetry Book, 2008 (Winner of the Olga Nolla Award, El Nuevo Día, Puerto Rico, 2004)
Date: 2008
Journal - Editors
- Marta Hernández Salván and Juan Carlos Rodríguez, Eds. Issue # 15 of Polygraph: an International Journal of Culture and Politics on “Immanence, Transcendence, Utopia” (Spring 2004).
Date: 2004
Chapters
- “Cine, medioambiente y sociedad: Muerte por mil cortes (2016) en el context de los documentales dominicanos,” in La gran pantalla dominicana vol. 2: La ebullición creative en el cine nacional (2010-2022), eds Adriana Tolentino and Patricia Tomé, Almenara.
Date: 2024
- “Exploring Digital Archives: Vieques on the Internet and Yabureibo in the Global South,” in The Routledge Companion to Literature and the Global South, ed. Alfred López and Ricardo Quintana, London: Routledge, 2023, pp. 260-274.
Date: 2023
- “An archipelago of crossed gazes: Intersections of documentary media practices in Cuba and Puerto Rico“ in The Film Archipelago: Islands in Latin American Cinema, ed. by Antonio Gómez and Francisco J. Hernandez Adrián, London and New York: Bloomsbury.
Date: 2022
- “Cuban Digital Pedagogies and the Question of the Interface in Yaima Pardo’s Offline,” Digital Humanities in Latin America, ed. Héctor Fernández L’Hoeste and Juan Carlos Rodríguez (University Press of Florida, 2020) 157-176.
Date: 2020
- “Introduction: In and Out of Digital Humanities; Nations, Networks and Practices in Latinx America,” Digital Humanities in Latin America, ed. Héctor Fernández L’Hoeste and Juan Carlos Rodríguez (University Press of Florida, 2020) 1-20.
Date: 2020
- "De la ciudad como rutina a la ciudad como proceso productivo: La Habana de los años sesenta en los documentales de Nicolás Guillén Landrián," in Guillén Landrián o el desconcierto fílmico, ed. Julio Ramos and Dylon Robbins (Leiden: Almenara, 2019).
Date: 2019
- “La cultura digital y la convergencia de múltiples lenguajes” in Redes hipertextuales en el aula: Claves y conceptos, ed. José Manuel de Amo, Osvaldo Cleger and Antonio Mendoza (Barcelona: Editorial Octaedro, 2015). 53-66
Date: 2015
- “La cultura digital, o de los nuevos medios de comunicación (new media)” in Redes hipertextuales en el aula: Claves y conceptos, ed. José Manuel de Amo, Osvaldo Cleger and Antonio Mendoza (Barcelona: Editorial Octaedro, 2015). 67-82
Date: 2015
- “The Nation in the Strike Zone and Reality at Bat: Bodies, Voices and Spaces of Cuban Baseball in Sport Documentaries” in Sports and Nationalism in Latin America, ed. Héctor Fernández L"Hoeste, Robert Irwin, and Juan Poblete (Palgrave Macmillan, 2015)
Date: 2015
- “Documentary on Wheels: Car Culture in Karen Rossi’s Isla Chatarra” in New Documentaries in Latin America, ed. Vinicius Navarro and Juan Carlos Rodríguez, Global Cinema Series (Palgrave MacMillan: published in May 2014) 219-234.*
Date: 2014
- “Introduction” in New Documentaries in Latin America, ed. Vinicius Navarro and Juan Carlos Rodríguez, Global Cinema Series (Palgrave MacMillan: published in May 2014) 1-21.*
Date: 2014
- “Dédalo en fuga: duelos, devenires, Políticas y legados de la forma en las ‘Caracolas’ de José María Lima” in Poéticas de José María Lima: Tradición y sorpresa, ed. Aurea María Sotomayor (Pittsburgh: Instituto Internacional de Literatura Latinoamericana)
Date: 2012
- “Mutaciones del ciudadano insano: construcción biopolítica del miedo en los procesos de comunicación urbana” in Miradas al margen: Cine y subalternidad en América Latina y el Caribe, ed. Luis Duno-Gottberg (Caracas: Fundación Cinemateca Nacional, 2009)
Date: 2009
Internet Publications
- “Oreo,” Short Chronicle, Revista La pequeña (2024).
Date: 2024
- La rareza del aire, 3 poems, Distropika, 2021.
Date: 2021
- "Archivos personales y miradas que piden justicia: Vieques 1997-1998 al 2020," 80 grados, (May 17, 2020). Written Text and Photo Essay.
Date: 2020
- "La isla nena en tarima y la marina como objeto," 80 grados, (July 10, 2020).
Date: 2020
- "Vieques, 1998: En ruta hacia el progreso?," 80 grados, (April 3, 2020). Written Text and Photo Essay.
Date: 2020
- "Vieques, 1998: Una guerra de la que nadie hablaba," 80 grados (Feb. 21, 2020). Written Text and Photo Essay.
Date: 2020
- La lengua industrializada. Poem, 80 grados, 2017.
Date: 2017
- Telegramas a Jimena Canales. Poem, 80 grados, 2017.
Date: 2017
- Telegrimas a Albert Einstein. Poem, 80 grados, 2017.
Date: 2017
- Pueblo o Multitud? Hegemonía o Post-hegemonía? (Ceiba 1999, San Juan 2019, Vieques 2020) 80 grados. Written Text and Photo Essay.
- Telegrumos a Henri Bergson. Poem, 80 grados, 2017.
Interviews
- “‘El cine militante es el cine abierto a la demanda de los compañeros’: una conversación con Fabian Pierucci del Grupo Alavio y Agora TV,” A Contracorriente, Vol. 7, no 2 (Winter 2010) 294-314.
Date: 2010
- “‘Tiene que suceder algo, tiene que destriunfar la revolución’: una conversación con Antonio José Ponte,” La Habana Elegante, no. 46 (Fall-Winter 2009) (n.pag., online).
Date: 2009
Other Publications
- Distropika, Poetry Digital Portal, Co-editor, 2020-to the present.
- Reframing Media, Technology, and Culture in Latin/o America. Co-Editor of the Book Series, 18 Books Published.
Updated: Aug 5th, 2026 at 9:51 AM